Key Metrics
CiteScore 

0.4
SNIP 

0.64
Recommended pre-submission checks
Powered by 

Opera Quarterly Journal Specifications
| Overview | |
| Publisher | OXFORD UNIV PRESS |
| Language | English |
| Frequency | Quarterly |
| General Details | |
| Language | English |
| Frequency | Quarterly |
| Publication Start Year | 1983 |
| Publisher URL | Visit website |
| Website URL | Visit website |
View less
Planning to publish in Opera Quarterly ?
Upload your Manuscript to get
- Degree of match
- Common matching concepts
- Additional journal recommendations

Recently Published Papers in Opera Quarterly
On Cannibal Poetry: William Kentridge’s <i>The Great Yes, The Great No</i>
- 23 Jun 2026
- The Opera Quarterly
“Il souffre de partir”: History, Performance, and Dramaturgical Consequences of a Significant Cut in <i>Carmen</i>
- 23 Jun 2026
- The Opera Quarterly
Nobody’s Opera
- 23 Jun 2026
- The Opera Quarterly
Lethal Timbres and Exploding Tenors: Changing Operatic Laryngeal Techniques of the Mid-Nineteenth Century
- 23 Jun 2026
- The Opera Quarterly
Is the Queen of the Night Modernity’s Most Unhappy Subject?
- 23 Jun 2026
- The Opera Quarterly
At the Edge of Vanishing: Late Listening and Plácido Domingo
- 23 Jun 2026
- The Opera Quarterly
On Cannibal Poetry: William Kentridge’s <i>The Great Yes, The Great No</i>
- 23 Jun 2026
- The Opera Quarterly
“Il souffre de partir”: History, Performance, and Dramaturgical Consequences of a Significant Cut in <i>Carmen</i>
- 23 Jun 2026
- The Opera Quarterly
Nobody’s Opera
- 23 Jun 2026
- The Opera Quarterly
Lethal Timbres and Exploding Tenors: Changing Operatic Laryngeal Techniques of the Mid-Nineteenth Century
- 23 Jun 2026
- The Opera Quarterly
Is the Queen of the Night Modernity’s Most Unhappy Subject?
- 23 Jun 2026
- The Opera Quarterly
At the Edge of Vanishing: Late Listening and Plácido Domingo
- 23 Jun 2026
- The Opera Quarterly