“The poem is not its language”: Deconstruction, New Historicism, and Hugh Kenner

Notes on Contributors

Céline LOCHOT — Complexe de l’ironiste, De Quincey à l’œuvre (Grenoble, UGA Editions, 2021, 352 p., ISBN : 978-2-37747-231-4 ; OpenEdition Books : 978-2-37747-274-1)

Evanghelia STEAD — Grotesque and Performance in the Art of Aubrey Beardsley (Open Book Press, 2024. 292 pages (xii+280), ISBN 978-1-80511-345-4 (Paperback), 978-1-80511-346-1 (Hardback))

The Trope of the Fallen Woman in Mary Hays’s The Victim of Prejudice

British Radical and Revolutionary Women Writers (1770s–1830s)

“The poem is not its language”: Deconstruction, New Historicism, and Hugh Kenner

Notes on Contributors

Céline LOCHOT — Complexe de l’ironiste, De Quincey à l’œuvre (Grenoble, UGA Editions, 2021, 352 p., ISBN : 978-2-37747-231-4 ; OpenEdition Books : 978-2-37747-274-1)

Evanghelia STEAD — Grotesque and Performance in the Art of Aubrey Beardsley (Open Book Press, 2024. 292 pages (xii+280), ISBN 978-1-80511-345-4 (Paperback), 978-1-80511-346-1 (Hardback))

The Trope of the Fallen Woman in Mary Hays’s The Victim of Prejudice

British Radical and Revolutionary Women Writers (1770s–1830s)