Irony in Alice Munro's "Dance of the Happy Shades"

Achieving the Therapeutic through the Poetic: Instapoetry as a Powerful Roadmap for Hope and Healing in Rupi Kaur’s The Sun and her Flowers and Home Body, Najwa Zebian’s Sparks of Phoenix, and Alexandra Vasiliu’s Dare to Let Go

“History as Adaptation”: Narrativisation of Memory in Farah Bashir’s Rumours of Spring: A Girlhood in Kashmir

Unbecoming Malloban: Trauma, Diaspora, and the Dis/abled Subject

De/Crowning the Intellectual: Power, Representation, and Epistemic Shifts in Chimamanda Ngozi Adichie's Half of a Yellow Sun (2006)

“Rooster Coop” as affective entrapment: Exploring “ugly feelings,” caste, and the psychic violence of neoliberalism in Aravind Adiga’s The White Tiger

Irony in Alice Munro's "Dance of the Happy Shades"

Achieving the Therapeutic through the Poetic: Instapoetry as a Powerful Roadmap for Hope and Healing in Rupi Kaur’s The Sun and her Flowers and Home Body, Najwa Zebian’s Sparks of Phoenix, and Alexandra Vasiliu’s Dare to Let Go

“History as Adaptation”: Narrativisation of Memory in Farah Bashir’s Rumours of Spring: A Girlhood in Kashmir

Unbecoming Malloban: Trauma, Diaspora, and the Dis/abled Subject

De/Crowning the Intellectual: Power, Representation, and Epistemic Shifts in Chimamanda Ngozi Adichie's Half of a Yellow Sun (2006)

“Rooster Coop” as affective entrapment: Exploring “ugly feelings,” caste, and the psychic violence of neoliberalism in Aravind Adiga’s The White Tiger